Le Mon To Hover
2019
Vortex to Hover II
2019
Hover to Doom, Sense
2018
It Will Never Stop
2021
Hovering Stance
2018-2019
In Between, Le Cake
2020
Somber Partings, Swaying to the Moon
2019
SOLD
Hanuman Mukut
2016
Forever Reaching
2017-2018
Walking Around
2017
Art Basel Miami Beach 2022
Nov 30 – Dec 3, 2022
image as a burden, death as a womb
Oct 14 – Nov 12, 2022
Chapter NY
Heft
Jul 23 – Aug 27, 2022
E/Merge: Art of the Indian Diaspora
Oct 16, 2021 – Mar 27, 2022
National Indo-American Museum
Art Basel Miami Beach 2021
Dec 2–4, 2021
New and noteworthy: see what the Armory Show’s youngest galleries are bringing to the fair
Sep 9–12, 2021
Javits Center
The Armory Show 2021
Sep 9–12, 2021
Partings, Swaying to the Moon
Feb 29 – May 30, 2020
Is Abstract Expressionism back?
Art Basel
Nov 1, 2022
Nov 1, 2022
Magical and visceral, 12 Gates Arts embraces ‘A Space for Monsters’
Artblog
Mar 5, 2021
Mar 5, 2021
Critics’ Picks: Kaveri Raina
Artforum
May 30, 2020
May 30, 2020
Between the Strange and Sublime: A Review of Heft at Patron Gallery
Sixty Inches From Center
Aug 22, 2022
Aug 22, 2022
On Display at the People’s House: A Century of Persistence
The New York Times
Jan 20, 2019
Jan 20, 2019
Kaveri Raina Interview
Via Sapientiae
Mar 20, 2017
Mar 20, 2017
Kaveri Raina: Doom to Hover
Ginger Magazine
Dec 1, 2019
Dec 1, 2019
Contemplating Art and Optimism at a Former Meat-processing Plant
Hyperallergic
Jul 22, 2020
Jul 22, 2020
Life in Motion: permeability, transparency and disembodied form in Tommy Mintz and Kaveri Raina
art critical
Jun 20, 2019
Jun 20, 2019
Kaveri Raina’s Linger Still, Curated by Emily Burns at Assembly Room
Arte Fuse
May 9, 2019
May 9, 2019