On View
Put It This Way: (Re)Visions of the Hirshhorn Collection
Aug 2, 2022 – Aug 31, 2023
Hirshhorn Museum and Sculpture Garden
Featuring Jennie C. Jones
The 10 Best Booths at Frieze Los Angeles 2023
Artsy
Feb 17, 2023
Feb 17, 2023
Camera Austria International ISSU.160
Camera Austria International.
Jan 10, 2023
Jan 10, 2023
Jennie C. Jones Nocturnes
c mag
Dec 14, 2022
Dec 14, 2022
How Chicago Became an Art-World Capital Without Giving In to Art-World Clichés
Harper’s Bazaar
Dec 11, 2022
Dec 11, 2022
Sculptural Puppeteer: A Review of Alex Chitty’s “Figs break open of themselves” at Patron
Newcity Art
Dec 2, 2022
Dec 2, 2022
Disciplined Evolution: A Review of Caroline Kent at Patron
Newcity Art
Oct 10, 2022
Oct 10, 2022
Setting-Up the Set-Up: Nyeema Morgan at PATRON Gallery
Wrong Life Review
Sep 16, 2022
Sep 16, 2022
Art 50 2022: Curators and Dealers
Newcity Art
Sep 6, 2022
Sep 6, 2022
Between the Strange and Sublime: A Review of Heft at Patron Gallery
Sixty Inches From Center
Aug 22, 2022
Aug 22, 2022
Reading Material: Books Shaping Artists’ Practices Now
Art in America
Aug 8, 2022
Aug 8, 2022
PATRON | CONTEXT: NYEEMA MORGAN
Jul 26, 2022
An Oral History with Nyeema Morgan
Bomb Magazine
Jul 26, 2022
Jul 26, 2022
Unearthing Sonic Territories: In Conversation with Jamal Cyrus
Burnaway
Jul 14, 2022
Jul 14, 2022
A Brief Guide to the Wide, Wild World of Art Schools and Residencies
The New York Times Style Magazine
Jul 6, 2022
Jul 6, 2022