Opening Soon
Prospect.6: the future is present, the harbinger is home
Nov 2, 2024 – Feb 2, 2025
Prospect.6
Curated by The Susan Brennan Co-Artistic Directors Miranda Lash and Ebony G. Patterson,
On View
Clocking In: 2024 Arts/Industry Residents
Aug 3 – Dec 1, 2024
John Michael Kohler Arts Center
Chava Krivchenia
On View
When You See Me: Visibility in Contemporary Art/History
Apr 7, 2024 – Apr 13, 2025
Dallas Museum of Art
Dr. Anna Katherine Brodbeck, Dr. Vivian Li, Ade Omotosho, and Veronica Myers
On View
Caroline Kent
A short play about watching shadows move across the room
Dec 6, 2023 – Dec 24, 2024
Queens Museum
5 Must-See Gallery Shows in Chicago
Artnet News
Apr 15, 2024
Apr 15, 2024
Caroline Kent: Confidence On Canvas
Chicago Gallery News
Aug 26, 2024
Aug 26, 2024
Interview: Charisse Pearlina Weston by Zoë Hopkins
BOMB
Jul 29, 2024
Jul 29, 2024
Unearthing the Roots of Colonialism: A Review of Noé Martínez at Patron Gallery
Newcity Art
Jul 23, 2024
Jul 23, 2024
Cerebral Women: A Conversation with Emanuel Aguilar
Cerebral Women
May 29, 2024
May 29, 2024
The Art We’re Obsessed With in April 2024
Artsy
Apr 26, 2024
Apr 26, 2024
Frieze New York 2024 Review: An Expanding Universe
Wall Street Journal
May 2, 2024
May 2, 2024
7 Art World Luminaries Share Top Picks from Frieze New York
Galerie Magazine
May 3, 2024
May 3, 2024
Cecilia Alemani on her top picks from Frieze New York
The Art Newspaper
May 1, 2024
May 1, 2024
Frieze New York doubles down on local galleries and artists for latest edition
The Art Newspaper
Apr 30, 2024
Apr 30, 2024
UTA Artist Space brings human touch to the fore
ARTS ATL
Apr 24, 2024
Apr 24, 2024
Artist Charisse Pearlina Weston: ‘This is a kind of violence that’s been naturalised, but it’s not natural’
Financial Times
Apr 26, 2024
Apr 26, 2024
Resilient Currents, on communal re-existence. Comisionada por Thanks for Nothing
ArtNexus
Apr 19, 2024
Apr 19, 2024
Expo Chicago 2024—In Praise of the Small: A Review of Barely Fair at Color Club
New City
Apr 14, 2024
Apr 14, 2024
Not all is quiet on the American-art front
4Columns
Apr 5, 2024
Apr 5, 2024
Whitney Biennial 2024: Even Better Than the Real Thing
The Brooklyn Rail
Apr 4, 2024
Apr 4, 2024
The Atmosphere that Holds Us: An interview with Brittany Nelson on I can’t make you love me
Sixty Inches From Center
Mar 15, 2024
Mar 15, 2024
First Impressions From the 2024 Whitney Biennial
Hyperallergic
Mar 14, 2024
Mar 14, 2024
Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024?
The New York Times
Mar 13, 2024
Mar 13, 2024
A Blazing, Brilliant Whitney Biennial Heralds a New Kind of Body Art
ARTNews
Mar 13, 2024
Mar 13, 2024
Was the Vision for the 2024 Whitney Biennial ‘Better Than the Real Thing’?
Cultured
Mar 13, 2024
Mar 13, 2024
A Former Doctor’s Office Is Now This Chicago Gallerist’s Art Deco Apartment
Domino
Jan 20, 2024
Jan 20, 2024
Forgotten women of the American landscape
Boston Globe
Dec 21, 2023
Dec 21, 2023
Cerebral Women: A Conversation with Kaveri Raina
Cerebral Women
Dec 13, 2023
Dec 13, 2023
CONTEXT | Alex Chitty
PATRON
Aug 17, 2023
Aug 17, 2023