On View
Kaveri Raina
Songs of silence, yet bluebirds hum
Sep 9 – Nov 4, 2023
Reception: September 9, 5 – 7:30pm
On View
The Colors Behind: Hans Kaiser and Liat Yossifor
Sep 10, 2023 – Nov 19, 2024
Museum Wilhelm Morgner Soest
Featuring Liat Yossifor
Curated by Ludwig Seyfarth
On View
Harold Mendez
one way to transform and two and three
Aug 25 – Dec 30, 2023
Wexner Center for the Arts
Curated by Kelly Kivland
On View
A soft place to land
Jul 7, 2023 – Jan 7, 2024
Museum of Contemporary Art Cleveland
Featuring Kaveri Raina
On View
Bethany Collins
America: A Hymnal
Jul 1, 2023 – Jun 30, 2024
Peabody Essex Museum
Organized by the Peabody Essex Museum
On View
Women Reframe American Landscape: Susie Barstow & Her Circle / Contemporary Practices at the Thomas Cole National Historic Site
May 6 – Oct 29, 2023
THOMAS COLE NATIONAL HISTORIC SITE
Featuring Anna Plesset
Curated by Dr. Nancy Siege, Kate Menconeri and Amanda Malmstrom
Bearing Witness to the Work of Kaveri Raina
Elephant
Sep 21, 2023
Sep 21, 2023
Can Images Desensationalise Abortion?
ArtReview
Sep 20, 2023
Sep 20, 2023
The Wistful Edge of Silence: Kaveri Raina
office
Sep 5, 2023
Sep 5, 2023
CONTEXT | Alex Chitty
PATRON
Aug 17, 2023
Aug 17, 2023
Artist Carmen Winant on Building a New Visual Language Around Abortion
VanityFair
Aug 8, 2023
Aug 8, 2023
10 Art Shows to See in Chicago This Summer
Hyperallergic
Jul 17, 2023
Jul 17, 2023
Virtual Horizons: Gwangju
Hyundai Artlab
Jun 23, 2023
Jun 23, 2023
Review: Mika Horibuchi’s Showcase at Patron Gallery
Sixty Inches From Center
Jun 23, 2023
Jun 23, 2023
Twilight Transcendence: A Review of Lucas Simões “Luscofusco” at Patron Gallery
Newcity Art
Jun 22, 2023
Jun 22, 2023
PREVIEW: Dianna Frid, “pre-knowing / un-knowing” at Patron Gallery
Bridge Journal
May 29, 2023
May 29, 2023
An artistic life
Chicago Reader
May 3, 2023
May 3, 2023
The Best Shows to See in Chicago Right Now
Frieze
Apr 13, 2023
Apr 13, 2023
The 10 Best Booths at Frieze Los Angeles 2023
Artsy
Feb 17, 2023
Feb 17, 2023
Camera Austria International ISSU.160
Camera Austria International.
Jan 10, 2023
Jan 10, 2023
Jennie C. Jones Nocturnes
c mag
Dec 14, 2022
Dec 14, 2022
How Chicago Became an Art-World Capital Without Giving In to Art-World Clichés
Harper’s Bazaar
Dec 11, 2022
Dec 11, 2022
Sculptural Puppeteer: A Review of Alex Chitty’s “Figs break open of themselves” at Patron
Newcity Art
Dec 2, 2022
Dec 2, 2022
Disciplined Evolution: A Review of Caroline Kent at Patron
Newcity Art
Oct 10, 2022
Oct 10, 2022
Setting-Up the Set-Up: Nyeema Morgan at PATRON Gallery
Wrong Life Review
Sep 16, 2022
Sep 16, 2022
Art 50 2022: Curators and Dealers
Newcity Art
Sep 6, 2022
Sep 6, 2022
Between the Strange and Sublime: A Review of Heft at Patron Gallery
Sixty Inches From Center
Aug 22, 2022
Aug 22, 2022
Reading Material: Books Shaping Artists’ Practices Now
Art in America
Aug 8, 2022
Aug 8, 2022
PATRON | CONTEXT: NYEEMA MORGAN
Jul 26, 2022
An Oral History with Nyeema Morgan
Bomb Magazine
Jul 26, 2022
Jul 26, 2022
Unearthing Sonic Territories: In Conversation with Jamal Cyrus
Burnaway
Jul 14, 2022
Jul 14, 2022
A Brief Guide to the Wide, Wild World of Art Schools and Residencies
The New York Times Style Magazine
Jul 6, 2022
Jul 6, 2022