Was the Vision for the 2024 Whitney Biennial ‘Better Than the Real Thing’?
Cultured
Mar 13, 2024
Mar 13, 2024
A Blazing, Brilliant Whitney Biennial Heralds a New Kind of Body Art
ARTNews
Mar 13, 2024
Mar 13, 2024
Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024?
The New York Times
Mar 13, 2024
Mar 13, 2024
First Impressions From the 2024 Whitney Biennial
Hyperallergic
Mar 14, 2024
Mar 14, 2024
The Atmosphere that Holds Us: An interview with Brittany Nelson on I can’t make you love me
Sixty Inches From Center
Mar 15, 2024
Mar 15, 2024
3AP: Dianna Frid, How to Peer Through a Wormhole
3Arts
Jun 22, 2023
Jun 22, 2023
Arco Art Fair Madrid: Resilience Amid Global Turmoil, Showcasing Global Talent
BNN Breaking
Mar 6, 2024
Mar 6, 2024
Love, Fiction and Deep Space: A Review of Brittany Nelson at Patron
Newcity Art
Feb 27, 2024
Feb 27, 2024
AMULETOS, MAKERS, AND VOICES Part I
Sixty Inches From Center
Feb 20, 2024
Feb 20, 2024
Hans Kaiser in artistic dialogue with Liat Yossifor
Soest
Feb 8, 2024
Feb 8, 2024
Thirteen Exhibitions to Catch This Winter
Boston art review
Feb 6, 2024
Feb 6, 2024
Whitney Biennial Picks a ‘Dissonant Chorus’ of Artists to Probe Turbulent Times
The New York Times
Jan 25, 2024
Jan 25, 2024
14 art exhibits to explore this winter
WBUR
Jan 11, 2024
Jan 11, 2024
Forgotten women of the American landscape
Boston Globe
Dec 21, 2023
Dec 21, 2023
Cerebral Women: A Conversation with Kaveri Raina
Cerebral Women
Dec 13, 2023
Dec 13, 2023
Everything Is Connected: Bethany Collins
Light Work
Dec 6, 2023
Dec 6, 2023
Our Visuality: Abortion Care Work and Photography
Contemporary Art Review
Dec 4, 2023
Dec 4, 2023
Microcosm: A Review of “Dialogues” at Patron
Newcity Art
Nov 29, 2023
Nov 29, 2023