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Charisse Pearlina Weston
About
Works
Exhibitions
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Works
of the bodies, disarmed, who make of themselves easy prey, splice II
2024
the same ends half built and buried
2024
of the bodies, disarmed, who make of themselves easy prey, splice I
2024
Edge Circuit I
2024
here the end wheels and i am half convinced i am not dead
2024
the zero hour when needs come out to breathe
2025
their path, too, must be curved
2024
untitled (swarm, swell)
2024
hallucinatory field (one)
2024
at and to the same end
2024
at the same velocity
2024
at the same altitude
2024
in this diaphanous stillness, pleasure has been found wanting
2025
Edge Circuit II
2024
sundial’d nude, one
2020
on the balance (after collapse)
2024
floated echo latched to superstructure (sutured)
2024
the many instances where edge meets to wedge and unmoors (the after-being of collapse in riot time)
2024
Untitled (to be titled) note 2
2025
residue in the gap between event and origin
2023
yolanda
2023
you can’t miss what i know i can get for free
2023
silver warmed by the morning sun
2024
have room enough for spirit and weigh too much for flesh
2023
the lime green fluorescent tint edge of bitter (let’s straighten it out)
2023
(i can) feel it when you lie to me
2022
held, I invert, I lift (nothing if not the moment dark space collisions itself)
2022
to be flung, raw (into air splitting violence)
2022
Atop the electrified plastic, into the enemy-stricken hands of freedom (NYT April 21, 1964)
2022
on the balance
2021
Untitled (meanwhile a stall)
2019
breach (a notion of freedom)
2019
the meaning (for the dead)
2019
the devil will creep in over night
2017
untitled (headstone on my grave)
2017
