

Samuel Levi Jones addresses the authority and antiquated position that encyclopedic and institutional books and volumes have held as a source of information throughout history. Jones uses the material that once held the authorship on history as a manipulatable platform to re-examine history itself and draw attention to figures, events, and triumphs of those often overlooked in written accounts, individuals of color and women. Through a process of breaking apart the books, deleting its pages and text and re-structuring the material, Jones creates a clean slate for the insertion of a new and updated revision of history to the material.
a person chosen, named, or honored…
Jan 24 – Mar 7, 2026
Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art
Oct 3 – Dec 13, 2025
Abroms-Engel Institute for the Visual Arts
Making a Garden of Strange Fruit
Feb 25 – Apr 30, 2025
Kennedy Art Center
Deaccession
Jan 20 – Mar 10, 2025
Cook Center, Indiana University Bloomington
Art Basel Miami Beach 2024
Dec 4–8, 2024
Miami Beach Convention Center
Objects and Power
Oct 4 – Dec 13, 2024
Maine College of Art & Design
Samuel Levi Jones
4Columns
Jun 16, 2023
Jun 16, 2023
Microcosm: A Review of “Dialogues” at Patron
Newcity Art
Nov 29, 2023
Nov 29, 2023
Art Sense: Artist Samuel Levi Jones
Art Sense
Nov 28, 2023
Nov 28, 2023
At the Chicago Architecture Biennial, Artists Run Free
The New York Times
Nov 28, 2023
Nov 28, 2023
Dress rehearsal: Chicago Architecture Biennial 2023
The Architectural Review
Nov 17, 2023
Nov 17, 2023
One artist’s solution to the racial inequities embedded in books: Rip them apart
Los Angeles Times
Aug 5, 2019
Aug 5, 2019


















