for another who isn't, but never ceases to be

Alex Chitty

for another who isn't, but never ceases to be

2016

powder coated steel, figured maple, aluminum, blush brushes, white bronze, glass, brass, cotton rope, nickeled plated steel, xerox copy and c-print cork

65"x54"x8"" / 165.1x137.2x20.3cm



Elmina Castle Elmina Castle

Harold Mendez

Elmina Castle

2016

Archival pigment print transferred from color slide taken in 1999, mounted on dibond with artists’ bronze frame

13x19x2" / 33x48.3x5.1cm

with generous support of the Robert Rauschenberg Foundation/Rauschenberg Residency



let X stand, if it can for the one’s unfound (After Proceso Pentágono) let X stand, if it can for the one’s unfound (After Proceso Pentágono)

Harold Mendez

let X stand, if it can for the one’s unfound (After Proceso Pentágono)

2016

Cotton, graphite, watercolor, toner, vegetable oil, litho crayon mounted on dibond

29.5x19.5" / 74.9x49.5cm



At night we walk in circles At night we walk in circles At night we walk in circles

Harold Mendez

At night we walk in circles

2016

Cotton, graphite, spray enamel, watercolor, toner, vegetable oil, litho crayon, soot on ball grained aluminum lithographic plate mounted on dibond

72x60" / 152.4x152.4cm



If they are not fears, they’re contritions. If they are not doubts, inabilities If they are not fears, they’re contritions. If they are not doubts, inabilities If they are not fears, they’re contritions. If they are not doubts, inabilities If they are not fears, they’re contritions. If they are not doubts, inabilities

Harold Mendez

If they are not fears, they’re contritions. If they are not doubts, inabilities

2015

mixed media on ball gained aluminum lithographic plate mounted on dibond, cotton, graphite, spray enamel, watercolor, toner, vegetable oil, litho crayon, soot

84x60" / 213.4x152.4cm



Swirl (blue edge)

Liat Yossifor

Swirl (blue edge)

2016

oil on linen

80x60" / 203.2x152.4cm