Moving beyond the borders of the canvas, Caroline Kent’s formal investigations expand into sculpture, architecture and installations. Drawing on a personal archive of painted works on paper, Kent’s use of the color black functions doubly. One on hand, it is a conduit for understanding color. On the other hand, it is a site for exploring new forms and geometry. Kents work takes language and transforms it into a site/context for the projection of desire, wonder, and alternate fictions.