Born and raised in Green Bay, Wisconsin, Kay Hofmann grew up observing her father’s own sculpting practice as a stonecutter who specialized in tombstones and monuments, an early influence that would serve as a foundation to her own relationship to stone in her artistic career. She attended the Art Institute of Chicago in the early 50s, where she began as a painter, but later found her way back to sculpture and stonework. Hofmann graduated in 1955 and received a prestigious fellowship in Paris. Spiraling in and out of figuration, her work from the 1950s to the present day demonstrates Hofmann’s exploration with the delicate balance between figuration and abstraction.