All Artists
Nyeema Morgan
horror horror IV
Charisse Pearlina Weston
here the end wheels and i am half convinced i am not dead
Noé Martínez
Racimo 3
Daniel G. Baird
Lacuna
Bethany Collins
In the whiteness of the lilies
A whore, a nun and a housewife walk into a barn. (the set-up)
Samira Yamin
(Geometries) Fire XI
Myra Greene
Undertone #16, #37
Usaron el rio Pánuco para comenzar el genocidio
in this diaphanous stillness, pleasure has been found wanting
Like It Is: Extraordinary Journeys
murmur IX
In petals sweet we venture forth
Kadar Brock
cleaning brushes, skully
Alex Chitty
(bing)The thing that nobody is talking about
Kay Hofmann
It’s a strong wind
Jamal Cyrus
Every time you pick me up my cup runneth over
Caroline Kent
Biting one’s lip, arranging the cuff on a sleeve
Carmen Winant
Hand Study (Making in Whiteness) III
Melanie Schiff
Pale Weed
How to Build a Pyramid (Stacking Example)
Psyche
Ryosuke Kumakura
Towel
Liat Yossifor
Seascape I
Two People Drawing Together - Iris (Danny Shapiro) I
cat
Soo Shin
Holding Distance (Pacific Ocean 2.22.2024-3)
Instructions on How to Cry (after J.C.)
Lucas Simões
Dormente n.14
Grabbing Hold
How far will we travel with no country on earth?
Árbol IV. Las presencias dormidas
Dianna Frid
El texto y sus sustancias #15
Moby Dick Vol.2
O Stella
Mixed #16
Richard Maguire
A bell that tolls
FIRE and ICE (After Robert Frost)
Infinite
Handstand Lesson (2nd attempt)
the zero hour when needs come out to breathe
Kaveri Raina
to slinky attack, falls at noon
post X (studies for traps)
Greg Breda
Reaching Beyond the Boundaries
Miao Wang
No title
Simon Benjamin
Native Boatmen
silver warmed by the morning sun
Fun on the beach
Tidalectic No. 1
Alice Tippit
Shriek
Harold Mendez
And, perhaps, here, between
Swore
Claire Sherman
Vines
Sienna (Night)
King Biscuit
to stand in the path
horror horror III
Brittany Nelson
everything but the signature is me
Dormente n. 20
Mika Horibuchi
Plum Blossoms in Pen
Zumi Soft
Anna Plesset
Modifying Modesty 1
Into the Breeze III
Why aren’t you feminine, why aren’t you soft, why aren’t you quiet, why aren’t you dead?
Gelatin Silver 17
Before all other love
Revolt; Internal Brewing Slow Rage
Lindsay Adams
By Design
When you put your hand in mine (II)
Pas de Deux 3.13.24-9 (Pacific Ocean)
MOTHER color (studies for traps)
Socks
Waterfall
Time has been so generous to us
Spit Mirror
A priest, a rabbi and a minister walk into a bar. (the set-up)
On the Brim of (Place #9)
(Refractions) September 21, 2015 and Passing Obliquely From One Medium Into Another - (Refractions) September 21, 2015 II
Abismo n.83
III (studies for traps)
on the balance (after collapse)
justified right, original white (studies for traps
Drawing the Distance IV
The Future (What Kinds of Times Are These?)
Moon
Prologue (Iris In)
I Am an Instrument in the Shape of a Woman Trying to Translate Pulsations into Images for the Relief of the Body and the Reconstruction of the Mind
Sol 4,999 #9
Surely in vain the net is spread in the sight of any bird (studies for traps)
Balm
Port of Call No. 5
Endymion V (Ark)
The thing that nobody is talking about
Mundos
Study of Tulips I
Samuel Levi Jones
Inner City Blues
A thing for things
Hours
White Lies 13
Bastik 4
Spur
Like It Is: Extraordinary People
3. Pas de Deux 3.17.24-3 (Pacific Ocean
Endymion (III)
horror horror V
Base
The Hour Wherein
My Old Kentucky Home, Goodnight
Like It Is: Afrocentric Modernism (studies for traps)
corpo de prova #35
Soft Power. Hard Margins. (1904)
Invocation
PB #4 White #2
cleaning brushes, teal red square
PB #1 White #2 PB #2 Cream PB #3 White PB #4 White #1
Coin Diver 4
Jennie C. Jones
Spontaneous Songs
Comma
All the Skies Over Syria
Wildflowers and Grass
Holding Distance (Pacific Ocean, 9.22.2023-2)
Moby Dick, Vol. 3
AMEN (studies for traps),
Portraits of Us (Oceans, Inherited)
Wildflowers
Night Window
Flood
Native Son
Reeling
Eclipse
the purple rose ashram of the new age, rosemead high school, the mutual store, you are one and so am i
Parallel Bars: Two Positions
KNELL(60)
Alma del fondo del mar
Moby Dick, Vol. 1
Miragem
Retrace
view from rains, rains schoolhouse, rains mountains, on this earth not in the stars
The Aeneid: 2005 / 1990
Untitled (Foreign Metaphysics: The Significance of TS Eliot’s Philosophical Notebooks, Part One)
A Figure Inside of a Face
Euclides
Warm Gray with Sound Bleed
Art college entrance exams, first drawing: apple
Untitled, No. 1 (I, Rhinoceros)
Two People Drawing Together - Iris (Danny Shapiro) VII
Her left hand spoken voraciously, while her right hand tucked in her pocket
Untitled (studies for traps), no. 1, v. III
…and still raging, treading through the desolate silence
the light castle, the institute for individual and world peace (sunrise), the institute for individual and world peace (sunset), a special light
mark (studies for traps)
Elderflower
Dormentes n.2
Tabled (XIII)
Circled
Solaris Ocean #1
PB #1 Cream PB #2 White PB #3 White #2,
Who shall bear hope, who else but us?
it is you II
Mixed #15
The choice is hers
Moment II
Persimmons in Colored Pencil
Moss and Branches
and now levitating quietly; yet resisting
Moby Dick, Vol. 2
Drawing the Distance III
bolshevik pete’s, mutual tipple, you never heard
Showcase Vitrine 1
How much have I put on the line for freedom?
(Geometries) Fire Smoke
Apeiron
My right hand at rest
Mordancage 7
The River, Twice (after translations of two Heraclitus fragments: left, Brooks Haxton, 2001; right, G.T.W. Patrick, 1889)
January 11, 2010
Sidereal time (Wheel 2)
untitled— please, please! (studies for traps)
Imprints No. 5 (Woman in Illinois)
La patria de las imágenes XIII
Record 5 (Tickets from the Kunsthalle Fridericianum and Wilhelmshöhe Palace/Film Stills)
El texto y sus sustancias #9
I can’t make you love me
