All Artists
Alex Chitty
Tabled (XIII)
Kaveri Raina
and now levitating quietly; yet resisting
Charisse Pearlina Weston
in this diaphanous stillness, pleasure has been found wanting
Anna Plesset
Modifying Modesty 1
Nyeema Morgan
III (studies for traps)
Claire Sherman
Wildflowers and Grass
Carmen Winant
I Am an Instrument in the Shape of a Woman Trying to Translate Pulsations into Images for the Relief of the Body and the Reconstruction of the Mind
Kadar Brock
the purple rose ashram of the new age, rosemead high school, the mutual store, you are one and so am i
Soo Shin
3. Pas de Deux 3.17.24-3 (Pacific Ocean
Harold Mendez
Invocation
Bethany Collins
My Old Kentucky Home, Goodnight
Samira Yamin
All the Skies Over Syria
untitled— please, please! (studies for traps)
Greg Breda
Reaching Beyond the Boundaries
cleaning brushes, teal red square
Brittany Nelson
Solaris Ocean #1
Alice Tippit
Base
Myra Greene
PB #1 Cream PB #2 White PB #3 White #2,
Simon Benjamin
Port of Call No. 5
Shriek
Ryosuke Kumakura
Socks
Moss and Branches
Time has been so generous to us
Miao Wang
No title
Sol 4,999 #9
Untitled (studies for traps), no. 1, v. III
Kay Hofmann
Fun on the beach
mark (studies for traps)
Portraits of Us (Oceans, Inherited)
Moby Dick, Vol. 2
Sidereal time (Wheel 2)
the zero hour when needs come out to breathe
Moon
PB #4 White #2
Lucas Simões
Miragem
A priest, a rabbi and a minister walk into a bar. (the set-up)
Liat Yossifor
Seascape I
Why aren’t you feminine, why aren’t you soft, why aren’t you quiet, why aren’t you dead?
Into the Breeze III
cat
everything but the signature is me
How far will we travel with no country on earth?
Moby Dick, Vol. 3
(Geometries) Fire XI
Coin Diver 4
Eclipse
Richard Maguire
When you put your hand in mine (II)
Daniel G. Baird
Lacuna
Elderflower
Untitled (Foreign Metaphysics: The Significance of TS Eliot’s Philosophical Notebooks, Part One)
And, perhaps, here, between
Jamal Cyrus
King Biscuit
(Refractions) September 21, 2015 and Passing Obliquely From One Medium Into Another - (Refractions) September 21, 2015 II
Mika Horibuchi
Persimmons in Colored Pencil
Circled
Hours
How to Build a Pyramid (Stacking Example)
cleaning brushes, skully
Art college entrance exams, first drawing: apple
A Figure Inside of a Face
The Aeneid: 2005 / 1990
Dianna Frid
FIRE and ICE (After Robert Frost)
Handstand Lesson (2nd attempt)
Noé Martínez
La patria de las imágenes XIII
post X (studies for traps)
justified right, original white (studies for traps
I can’t make you love me
Endymion (III)
Towel
…and still raging, treading through the desolate silence
MOTHER color (studies for traps)
Waterfall
Grabbing Hold
How much have I put on the line for freedom?
Vines
bolshevik pete’s, mutual tipple, you never heard
Prologue (Iris In)
(Geometries) Fire Smoke
murmur IX
Melanie Schiff
Pale Weed
Retrace
Swore
PB #1 White #2 PB #2 Cream PB #3 White PB #4 White #1
The thing that nobody is talking about
Like It Is: Afrocentric Modernism (studies for traps)
A whore, a nun and a housewife walk into a barn. (the set-up)
Spur
Plum Blossoms in Pen
Lindsay Adams
By Design
horror horror V
Untitled, No. 1 (I, Rhinoceros)
Bastik 4
here the end wheels and i am half convinced i am not dead
Hand Study (Making in Whiteness) III
Every time you pick me up my cup runneth over
Spit Mirror
Dormente n. 20
Psyche
Mordancage 7
In the whiteness of the lilies
view from rains, rains schoolhouse, rains mountains, on this earth not in the stars
Native Son
Balm
O Stella
Caroline Kent
Biting one’s lip, arranging the cuff on a sleeve
January 11, 2010
Jennie C. Jones
Warm Gray with Sound Bleed
on the balance (after collapse)
Drawing the Distance III
Gelatin Silver 17
Like It Is: Extraordinary People
Dormentes n.2
Holding Distance (Pacific Ocean 2.22.2024-3)
Undertone #16, #37
Mixed #15
horror horror III
Alma del fondo del mar
Usaron el rio Pánuco para comenzar el genocidio
Flood
Infinite
A thing for things
The Hour Wherein
The Future (What Kinds of Times Are These?)
Revolt; Internal Brewing Slow Rage
Holding Distance (Pacific Ocean, 9.22.2023-2)
Reeling
Racimo 3
Mixed #16
El texto y sus sustancias #15
It’s a strong wind
Sienna (Night)
Her left hand spoken voraciously, while her right hand tucked in her pocket
Samuel Levi Jones
Inner City Blues
Spontaneous Songs
it is you II
Euclides
Record 5 (Tickets from the Kunsthalle Fridericianum and Wilhelmshöhe Palace/Film Stills)
Native Boatmen
On the Brim of (Place #9)
Soft Power. Hard Margins. (1904)
El texto y sus sustancias #9
Like It Is: Extraordinary Journeys
to slinky attack, falls at noon
The choice is hers
Who shall bear hope, who else but us?
Zumi Soft
Showcase Vitrine 1
the light castle, the institute for individual and world peace (sunrise), the institute for individual and world peace (sunset), a special light
Surely in vain the net is spread in the sight of any bird (studies for traps)
Two People Drawing Together - Iris (Danny Shapiro) I
Before all other love
Study of Tulips I
Parallel Bars: Two Positions
Two People Drawing Together - Iris (Danny Shapiro) VII
In petals sweet we venture forth
Wildflowers
Instructions on How to Cry (after J.C.)
Tidalectic No. 1
corpo de prova #35
to stand in the path
silver warmed by the morning sun
Endymion V (Ark)
(bing)The thing that nobody is talking about
White Lies 13
My right hand at rest
Imprints No. 5 (Woman in Illinois)
Abismo n.83
horror horror IV
AMEN (studies for traps),
Moby Dick Vol.2
The River, Twice (after translations of two Heraclitus fragments: left, Brooks Haxton, 2001; right, G.T.W. Patrick, 1889)
Apeiron
A bell that tolls
Comma
Drawing the Distance IV
Mundos
Dormente n.14
Moment II
Night Window
Árbol IV. Las presencias dormidas
Pas de Deux 3.13.24-9 (Pacific Ocean)
Moby Dick, Vol. 1
