All Artists
Nour Malas
Angel Eyes
Brittany Nelson
Gelatin Silver 17
Charisse Pearlina Weston
silver warmed by the morning sun
Carmen Winant
My mother and eye
Richard Maguire
A bell that tolls
Liat Yossifor
Sienna (Night)
Samira Yamin
(Refractions) September 21, 2015 and Passing Obliquely From One Medium Into Another - (Refractions) September 21, 2015 II
Mordancage 7
Jamal Cyrus
Balm
Nyeema Morgan
III (studies for traps)
Daniel G. Baird
Endymion (III)
Myra Greene
Mixed #15
Soo Shin
3. Pas de Deux 3.17.24-3 (Pacific Ocean
Alex Chitty
The thing that nobody is talking about
Kaveri Raina
to stand in the path
Miao Wang
No title
on the balance (after collapse)
the zero hour when needs come out to breathe
Like It Is: Afrocentric Modernism (studies for traps)
Time has been so generous to us
Dianna Frid
FIRE and ICE (After Robert Frost)
Simon Benjamin
Port of Call No. 5
I Am an Instrument in the Shape of a Woman Trying to Translate Pulsations into Images for the Relief of the Body and the Reconstruction of the Mind
Mika Horibuchi
Persimmons in Colored Pencil
Melanie Schiff
Pale Weed
Ryosuke Kumakura
Socks
Mothership Connection
Kay Hofmann
Grabbing Hold
Handstand Lesson (2nd attempt)
PB #1 White #2 PB #2 Cream PB #3 White PB #4 White #1
Portraits of Us (Oceans, Inherited)
Holding Distance (Pacific Ocean 2.22.2024-3)
Noé Martínez
Alma del fondo del mar
Two People Drawing Together - Iris (Danny Shapiro) VII
Soft Power. Hard Margins. (1904)
Kadar Brock
cleaning brushes, teal red square
Harold Mendez
Invocation
Bethany Collins
Moby Dick, Vol. 1
Lucas Simões
Dormentes n.2
Eclipse
Drawing the Distance IV
Native Boatmen
Falling
horror horror III
cat
Claire Sherman
Moon
Alice Tippit
Flood
in this diaphanous stillness, pleasure has been found wanting
untitled— please, please! (studies for traps)
Spit Mirror
The River, Twice (after translations of two Heraclitus fragments: left, Brooks Haxton, 2001; right, G.T.W. Patrick, 1889)
Like It Is: Extraordinary Journeys
O Stella
Metamorphosis
The Aeneid: 2005 / 1990
Hours
A priest, a rabbi and a minister walk into a bar. (the set-up)
Árbol IV. Las presencias dormidas
Before all other love
Nectar
Moby Dick, Vol. 3
Night Window
Moss and Branches
Hand Study (Making in Whiteness) III
to slinky attack, falls at noon
justified right, original white (studies for traps
My Old Kentucky Home, Goodnight
horror horror V
Retrace
Holding Distance (Pacific Ocean, 9.22.2023-2)
Shriek
corpo de prova #35
Bastik 4
mark (studies for traps)
Mundos
Jennie C. Jones
Warm Gray with Sound Bleed
(Geometries) Fire Smoke
All the Skies Over Syria
La patria de las imágenes XIII
Instructions on How to Cry (after J.C.)
Sol 4,999 #9
the light castle, the institute for individual and world peace (sunrise), the institute for individual and world peace (sunset), a special light
Comma
Untitled (Foreign Metaphysics: The Significance of TS Eliot’s Philosophical Notebooks, Part One)
A Figure Inside of a Face
Why aren’t you feminine, why aren’t you soft, why aren’t you quiet, why aren’t you dead?
Like It Is: Extraordinary People
Zumi Soft
I can’t make you love me
Wildflowers
A thing for things
(Geometries) Fire XI
Reeling
How to Build a Pyramid (Stacking Example)
Moment II
it is you II
Undertone #16, #37
My right hand at rest
Caroline Kent
Her left hand spoken voraciously, while her right hand tucked in her pocket
AMEN (studies for traps),
And, perhaps, here, between
(bing)The thing that nobody is talking about
everything but the signature is me
Usaron el rio Pánuco para comenzar el genocidio
Euclides
Miragem
Towel
Long Division
How much have I put on the line for freedom?
bolshevik pete’s, mutual tipple, you never heard
Solaris Ocean #1
Spur
Mixed #16
PB #1 Cream PB #2 White PB #3 White #2,
How far will we travel with no country on earth?
Dormente n.14
Elderflower
January 11, 2010
Tabled (XIII)
Vines
the purple rose ashram of the new age, rosemead high school, the mutual store, you are one and so am i
Endymion V (Ark)
cleaning brushes, skully
…and still raging, treading through the desolate silence
murmur IX
Lacuna
Imprints No. 5 (Woman in Illinois)
post X (studies for traps)
Two People Drawing Together - Iris (Danny Shapiro) I
White Lies 13
The Future (What Kinds of Times Are These?)
Spaces Inside Spaces Between
Pas de Deux 3.13.24-9 (Pacific Ocean)
view from rains, rains schoolhouse, rains mountains, on this earth not in the stars
Spontaneous Songs
Plum Blossoms in Pen
here the end wheels and i am half convinced i am not dead
Greg Breda
The Hour Wherein
Swore
Revolt; Internal Brewing Slow Rage
Wildflowers and Grass
Who shall bear hope, who else but us?
Anna Plesset
Modifying Modesty 1
MOTHER color (studies for traps)
In the whiteness of the lilies
Every time you pick me up my cup runneth over
Prologue (Iris In)
Samuel Levi Jones
The choice is hers
Coin Diver 4
Surely in vain the net is spread in the sight of any bird (studies for traps)
Native Son
Base
El texto y sus sustancias #10
Reaching Beyond the Boundaries
and now levitating quietly; yet resisting
Biting one’s lip, arranging the cuff on a sleeve
Drawing the Distance III
Into the Breeze III
Racimo 3
Aquarius
Dormente n. 20
Untitled, No. 1 (I, Rhinoceros)
A whore, a nun and a housewife walk into a barn. (the set-up)
PB #4 White #2
Waterfall
On the Brim of (Place #9)
Record 5 (Tickets from the Kunsthalle Fridericianum and Wilhelmshöhe Palace/Film Stills)
Showcase Vitrine 1
Study of Tulips I
It’s a strong wind
Tidalectic No. 1
Untitled (studies for traps), no. 1, v. III
Fun on the beach
Abismo n.83
When you put your hand in mine (II)
Parallel Bars: Two Positions
Apeiron
Circled
Inner City Blues
horror horror IV
El texto y sus sustancias #6
Art college entrance exams, first drawing: apple
King Biscuit
