All Artists
Samuel Levi Jones
The choice is hers
Kay Hofmann
Into the Breeze III
Bethany Collins
Untitled (Foreign Metaphysics: The Significance of TS Eliot’s Philosophical Notebooks, Part One)
Daniel G. Baird
Moment II
Carmen Winant
The neighbor, the friend, the lover
Liat Yossifor
Portrait
Harold Mendez
On turning ground (Diviners)
Nyeema Morgan
horror horror V
Myra Greene
PB #1 White #2 PB #2 Cream PB #3 White PB #4 White #1
Kadar Brock
cleaning brushes, teal red square
Claire Sherman
Moon
Jennie C. Jones
Spontaneous Songs
Jamal Cyrus
Native Son
Brittany Nelson
Gelatin Silver 17
Warm Gray with Sound Bleed
Mixed #15
Alex Chitty
Calm down Chicory
Solstice
Soo Shin
The Act of Thinking (Gesture #3
Samira Yamin
Handstand Lesson (2nd attempt)
Spur
Sol 4,999 #9
Time has been so generous to us
Richard Maguire
Before all other love
Lucas Simões
White Lies 13
KNELL(60)
Mika Horibuchi
Screen Door
Noé Martínez
Árbol IV. Las presencias dormidas
Sienna (Night)
Melanie Schiff
O Stella
Huiatl. Las noticias del mar
Miao Wang
No title
view from rains, rains schoolhouse, rains mountains, on this earth not in the stars
Dianna Frid
FIRE and ICE (After Robert Frost)
Ryosuke Kumakura
cat
Alice Tippit
Swore
Endymion (III)
Undertone #16, #37
Night Window
Dormente n. 20
Mundos
Nour Malas
All my plants are dying on me
Vines
My Old Kentucky Home, Goodnight
Anna Plesset
Modifying Modesty 1
A whore, a nun and a housewife walk into a barn. (the set-up)
cleaning brushes, skully
Miragem
Land Back
Cuentos y cuentas (Notes on embodiment)
Imprints No. 5 (Woman in Illinois)
Credit Line
Mixed #16
Holding Distance (Pacific Ocean, 9.22.2023-2)
In the whiteness of the lilies
A bell that tolls
(Geometries) Fire XI
Waterfall
Racimo 3
Reeling
Caroline Kent
Soft encounters
The Future (What Kinds of Times Are These?)
horror horror IV
Greg Breda
Repose
I GIVE YOU MY WORD
Kaveri Raina
Revolt; Internal Brewing Slow Rage
The River, Twice (after translations of two Heraclitus fragments: left, Brooks Haxton, 2001; right, G.T.W. Patrick, 1889)
Flood
Charisse Pearlina Weston
the devil will creep in over night
Bap-Tizum
the light castle, the institute for individual and world peace (sunrise), the institute for individual and world peace (sunset), a special light
Afterwards, we shall read your bones (For Belkis Ayón)
Pale Weed
PB #1 Cream PB #2 White PB #3 White #2,
Ancestral Relic
Usaron el rio Pánuco para comenzar el genocidio
The Aeneid: 2005 / 1990
Nyeema Morgan Like It Is: Extraordinary Measures (Afrocentric Modernism)
Untitled (blues that persist)
Towel
Kindred
Trees
We Have No Word in English For This
A thing for things
Bastik 4
WEAVE
And, perhaps, here, between
untitled (headstone on my grave)
Fun on the beach
To the Bottom
Showcase Vitrine 1
…and still raging, treading through the desolate silence
Prologue (Iris In)
My kindred
Solaris Ocean #1
Op-ed
January 11, 2010
La patria de las imágenes XIII
everything but the signature is me
Persimmons in Colored Pencil
on the balance (after collapse)
Dormente n.14
(Refractions) September 21, 2015 and Passing Obliquely From One Medium Into Another - (Refractions) September 21, 2015 II
Curtain Drawn III
A martini, a balcony, a skyline
Shriek
It’s a strong wind
Abismo n.83
murmur IX
I Am an Instrument in the Shape of a Woman Trying to Translate Pulsations into Images for the Relief of the Body and the Reconstruction of the Mind
Falling softly, glancing slowly
All the Skies Over Syria
Invitation to an Image
A priest, a rabbi and a minister walk into a bar. (the set-up)
A Figure Inside of a Face
Cool Breeze
Infinite
silver warmed by the morning sun
(Geometries) Fire Smoke
Fourth Estate
Watercolor of Rice Fields
Spit Mirror
Zumi Soft
The Scoop
Parallel Bars: Two Positions
Inner City Blues
corpo de prova #35
Instructions on How to Cry (after J.C.)
I can’t make you love me
sundial’d nude, one
the purple rose ashram of the new age, rosemead high school, the mutual store, you are one and so am i
it is you II
Circled
bolshevik pete’s, mutual tipple, you never heard
Wildflowers and Grass
El huracán
To Hold Home in Your Steps
An Impression (Amarillo)
When you put your hand in mine (II)
Record 5 (Tickets from the Kunsthalle Fridericianum and Wilhelmshöhe Palace/Film Stills)
FM_1 & _2
horror horror III
Unforeseen Rigor; To Cease
and now levitating quietly; yet resisting
Mordancage 7
Wildflowers
Towels
Passing On
Dormentes n.2
Moss and Branches
Diagram of Ohnedaruth’s Inner Ear (r)_il.1
PB #4 White #2
Hand Study (Making in Whiteness) III
Plum Blossoms in Pen
How to Build a Pyramid (Stacking Example)
On the Brim of (Place #9)
Peril
