All Artists
Dianna Frid
I GIVE YOU MY WORD
Alex Chitty
Tabled (III)
We Have No Word in English For This
Samira Yamin
All the Skies Over Syria
Anna Plesset
Prologue (Iris In)
Jamal Cyrus
Ancestral Relic
Brittany Nelson
Starbear and Mars Clouds 3
Gelatin Silver 17
Harold Mendez
And, perhaps, here, between
Melanie Schiff
O Stella
Modifying Modesty 1
Handstand Lesson (2nd attempt)
Caroline Kent
A martini, a balcony, a skyline
Carmen Winant
The Future (What Kinds of Times Are These?)
Bethany Collins
Untitled (Foreign Metaphysics: The Significance of TS Eliot’s Philosophical Notebooks, Part One)
Liat Yossifor
Infinite
On turning ground (Diviners)
Kaveri Raina
Revolt; Internal Brewing Slow Rage
Lucas Simões
Dormente n.14
Greg Breda
Arrival at knowing
Alice Tippit
Shriek
Spur
I Am an Instrument in the Shape of a Woman Trying to Translate Pulsations into Images for the Relief of the Body and the Reconstruction of the Mind
Kay Hofmann
The Swimmers
A Figure Inside of a Face
Claire Sherman
Trees
The Aeneid: 2005 / 1990
Pale Weed
Instructions on How to Cry (after J.C.)
Noé Martínez
Árbol IV. Las presencias dormidas
Huiatl. Las noticias del mar
Mika Horibuchi
Plum Blossoms in Watercolor
Starbear and Mars Clouds 1
Myra Greene
PB #1 White #2 PB #2 Cream PB #3 White PB #4 White #1
Mundos
Samuel Levi Jones
Solstice
A thing for things
Op-ed
Soo Shin
Imprints No. 1 (Woman in Wisconsin)
Vines
Spit Mirror
Untitled (blues that persist)
Kadar Brock
the light castle, the institute for individual and world peace (sunrise), the institute for individual and world peace (sunset), a special light
My Old Kentucky Home, Goodnight
Nyeema Morgan
horror horror V
Daniel G. Baird
Moment II
Endymion (III)
…and still raging, treading through the desolate silence
Vortex to Hover II
Bunch of Roses
cleaning brushes, teal red square
Into the Breeze III
Calm down Chicory
To the Bottom
Time has been so generous to us
La patria de las imágenes XIII
El huracán
Mixed #15
Moon
the purple rose ashram of the new age, rosemead high school, the mutual store, you are one and so am i
FIRE and ICE (After Robert Frost)
Land Back
Curtain Drawn III
Unforeseen Rigor; To Cease
Credit Line
January 11, 2010
A witness comes, beckoned from beyond
horror horror IV
FM_1 & _2
The neighbor, the friend, the lover
Cuentos y cuentas (Notes on embodiment)
(Geometries) Fire XI
PB #1 Cream PB #2 White PB #3 White #2,
and now levitating quietly; yet resisting
(Geometries) Fire Smoke
Bap-Tizum
corpo de prova #35
Charisse Pearlina Weston
untitled (headstone on my grave)
Mordancage 7
the meaning (for the dead)
Jennie C. Jones
Warm Gray with Sound Bleed
The Scoop
Richard Maguire
it is you II
Imprints No. 5 (Woman in Illinois)
Spontaneous Songs
Wildflowers
Undertone #16, #37
Peril
Afterwards, we shall read your bones (For Belkis Ayón)
Dormente n. 20
Moss and Branches
Flood
cleaning brushes, skully
Dormentes n.2
Showcase Vitrine 1
view from rains, rains schoolhouse, rains mountains, on this earth not in the stars
Before all other love
PB #4 White #2
murmur IX
How to Build a Pyramid (Stacking Example)
Solaris Window
A bell that tolls
An Impression (Amarillo)
Passing On
Record 5 (Tickets from the Kunsthalle Fridericianum and Wilhelmshöhe Palace/Film Stills)
When you put your hand in mine (II)
Satchel Mouth Blues (prelude)
the many instances where edge meets to wedge and unmoors (the after-being of collapse in riot time)
KNELL(60)
Reeling
A priest, a rabbi and a minister walk into a bar. (the set-up)
Zumi Soft
Ryosuke Kumakura
cat
Kindred
Tree
Invitation to an Image
On her pillow
WEAVE
White Lies 13
It’s a strong wind
Watercolor of Rice Fields
The Guard
Miragem
A whore, a nun and a housewife walk into a barn. (the set-up)
Hand Study (Making in Whiteness) III
(Refractions) September 21, 2015 and Passing Obliquely From One Medium Into Another - (Refractions) September 21, 2015 II
Mixed #16
the devil will creep in over night
bolshevik pete’s, mutual tipple, you never heard
Nyeema Morgan Like It Is: Extraordinary Measures (Afrocentric Modernism)
Figs break open of themselves
Fourth Estate
The Act of Thinking (Gesture #3
Sienna (Night)
Swore
Edge Circuit III (on the balance, after collapse)
horror horror III
Parallel Bars: Two Positions
Circled
My kindred
Abismo n.83
The River, Twice (after translations of two Heraclitus fragments: left, Brooks Haxton, 2001; right, G.T.W. Patrick, 1889)
Wildflowers and Grass
