All Artists
Charisse Pearlina Weston
here the end wheels and i am half convinced i am not dead
Anna Plesset
Record 5 (Tickets from the Kunsthalle Fridericianum and Wilhelmshöhe Palace/Film Stills)
Daniel G. Baird
KNELL(60)
Lucas Simões
Dormente n.14
Simon Benjamin
Coin Diver 4
Carmen Winant
Sidereal time (Wheel 2)
Soo Shin
Holding Distance (Pacific Ocean, 9.22.2023-2)
Kay Hofmann
Grabbing Hold
Myra Greene
PB #4 White #2
Jamal Cyrus
Native Son
Alex Chitty
Time has been so generous to us
Claire Sherman
Waterfall
I Am an Instrument in the Shape of a Woman Trying to Translate Pulsations into Images for the Relief of the Body and the Reconstruction of the Mind
Mika Horibuchi
Plum Blossoms in Pen
Liat Yossifor
Infinite
murmur IX
Ryosuke Kumakura
cat
Harold Mendez
And, perhaps, here, between
Nyeema Morgan
Like It Is: Extraordinary People
Tidalectic No. 1
Native Boatmen
The thing that nobody is talking about
Samuel Levi Jones
The choice is hers
Wildflowers and Grass
Richard Maguire
it is you II
Bethany Collins
Moby Dick Vol.2
Miao Wang
No title
Before all other love
Dormentes n.2
Moby Dick, Vol. 2
Moss and Branches
horror horror IV
Study of Tulips I
Moment II
Euclides
Brittany Nelson
everything but the signature is me
Who shall bear hope, who else but us?
Kaveri Raina
…and still raging, treading through the desolate silence
Archipelagos in a Negro Spiritual
Moon
Eclipse
Melanie Schiff
O Stella
Solaris Ocean #1
Port of Call No. 5
Samira Yamin
All the Skies Over Syria
Kadar Brock
bolshevik pete’s, mutual tipple, you never heard
Ancestral Relic
Caroline Kent
Biting one’s lip, arranging the cuff on a sleeve
Hand Study (Making in Whiteness) III
Two People Drawing Together - Iris (Danny Shapiro) VII
Jennie C. Jones
Spontaneous Songs
Apeiron
When you put your hand in mine (II)
Undertone #16, #37
Wildflowers
Reeling
Miragem
Instructions on How to Cry (after J.C.)
Pale Weed
On the Brim of (Place #9)
Hours
How far will we travel with no country on earth?
Fun on the beach
A whore, a nun and a housewife walk into a barn. (the set-up)
Handstand Lesson (2nd attempt)
Parallel Bars: Two Positions
on the balance (after collapse)
Like It Is: Extraordinary Journeys
The Aeneid: 2005 / 1990
Alice Tippit
Shriek
In petals sweet we venture forth
Revolt; Internal Brewing Slow Rage
silver warmed by the morning sun
Gelatin Silver 17
Base
horror horror V
Mundos
PB #1 Cream PB #2 White PB #3 White #2,
Warm Gray with Sound Bleed
in this diaphanous stillness, pleasure has been found wanting
Spur
Spit Mirror
Lindsay Adams
By Design
Noé Martínez
La patria de las imágenes XIII
Flood
Swore
Two People Drawing Together - Iris (Danny Shapiro) I
the purple rose ashram of the new age, rosemead high school, the mutual store, you are one and so am i
Untitled (Foreign Metaphysics: The Significance of TS Eliot’s Philosophical Notebooks, Part One)
Imprints No. 5 (Woman in Illinois)
Comma
White Lies 13
Bastik 4
In the whiteness of the lilies
Árbol IV. Las presencias dormidas
horror horror III
Towel
view from rains, rains schoolhouse, rains mountains, on this earth not in the stars
My right hand at rest
cleaning brushes, teal red square
It’s a strong wind
Pas de Deux 3.13.24-9 (Pacific Ocean)
Circled
corpo de prova #35
Modifying Modesty 1
Dianna Frid
The River, Twice (after translations of two Heraclitus fragments: left, Brooks Haxton, 2001; right, G.T.W. Patrick, 1889)
Socks
Racimo 3
Abismo n.83
PB #1 White #2 PB #2 Cream PB #3 White PB #4 White #1
Greg Breda
The Hour Wherein
Persimmons in Colored Pencil
the zero hour when needs come out to breathe
to slinky attack, falls at noon
Zumi Soft
How to Build a Pyramid (Stacking Example)
I can’t make you love me
A priest, a rabbi and a minister walk into a bar. (the set-up)
Moby Dick, Vol. 1
Vines
Holding Distance (Pacific Ocean 2.22.2024-3)
A Figure Inside of a Face
FIRE and ICE (After Robert Frost)
Night Window
A bell that tolls
Elderflower
(Geometries) Fire XI
How much have I put on the line for freedom?
cleaning brushes, skully
(Geometries) Fire Smoke
Inner City Blues
Portraits of Us (Oceans, Inherited)
My Old Kentucky Home, Goodnight
Mordancage 7
Seascape I
(Refractions) September 21, 2015 and Passing Obliquely From One Medium Into Another - (Refractions) September 21, 2015 II
The Future (What Kinds of Times Are These?)
to stand in the path
El texto y sus sustancias #9
Usaron el rio Pánuco para comenzar el genocidio
Endymion (III)
January 11, 2010
Moby Dick, Vol. 3
Sienna (Night)
Mixed #15
and now levitating quietly; yet resisting
A thing for things
Art college entrance exams, first drawing: apple
Dormente n. 20
Sol 4,999 #9
Showcase Vitrine 1
Invocation
Into the Breeze III
Alma del fondo del mar
Prologue (Iris In)
3. Pas de Deux 3.17.24-3 (Pacific Ocean
El texto y sus sustancias #15
Her left hand spoken voraciously, while her right hand tucked in her pocket
Why aren’t you feminine, why aren’t you soft, why aren’t you quiet, why aren’t you dead?
Mixed #16
FM_1 & _2
the light castle, the institute for individual and world peace (sunrise), the institute for individual and world peace (sunset), a special light
Reaching Beyond the Boundaries
