Artist to Watch: Anna Plesset
Mercer Contemporary
Oct 2, 2024
Oct 2, 2024
Curator Pablo José Ramírez: ‘Art history doesn’t belong exclusively to the western world’
Financial Times
Oct 4, 2024
Oct 4, 2024
“As if the material did not allow for linearity”: Kaveri Raina’s Paintings on Burlap
Sixty Inches From Center
Oct 7, 2024
Oct 7, 2024
Caroline Kent: Paradox
Get Familiar Magazine
Sep 12, 2024
Sep 12, 2024
Sales Are Slow at Frieze London, But Focus on Fresh Talent Thrills
artnet
Oct 9, 2024
Oct 9, 2024
Frieze London’s Best Booths, From Statement Sculptures to Symbolic Gardens
ARTnews
Oct 10, 2024
Oct 10, 2024
Charisse Pearlina Weston: A Drama of Materials
Mousse Magazine
Oct 7, 2024
Oct 7, 2024
The state of Union Station: Eye-catching art amid construction and a megaproject low on cash
Daily Herald
Oct 14, 2024
Oct 14, 2024
The Prettiest Place for Public Art? Your Local Amtrak Station
Thrillist
Oct 18, 2024
Oct 18, 2024
12 Art Shows to See in Chicago This Fall
Hyperallergic
Sep 29, 2024
Sep 29, 2024
U.S. Consulate Supports Artist Exchange Program to Celebrate 50-Year Sister Cities Partnership between Lagos and Atlanta
U.S. Embassy and Consulate in Nigeria
Oct 28, 2024
Oct 28, 2024
Making Connections Through Clay at Frieze London
The New York Times
Oct 3, 2024
Oct 3, 2024
Artists in Their Natural Habitats
Chicago Magazine
Sep 23, 2024
Sep 23, 2024
New York City Roundup
e-flux
Sep 20, 2024
Sep 20, 2024
Bold Brushstrokes Overlap in Greg Breda’s Contemplative Portraits
Colossal
Sep 18, 2024
Sep 18, 2024
What to See in N.Y.C. Galleries in September
The New York Times
Sep 4, 2024
Sep 4, 2024
Caroline Kent: Confidence On Canvas
Chicago Gallery News
Aug 26, 2024
Aug 26, 2024
A Major Survey of Black Collage Art Proves That Print Isn’t Dead
ARTnews
Aug 16, 2024
Aug 16, 2024
A Look at the 2024 Whitney Biennial Through the Lens of the 1993 Edition
Observer
Aug 6, 2024
Aug 6, 2024
Interview: Charisse Pearlina Weston by Zoë Hopkins
BOMB
Jul 29, 2024
Jul 29, 2024
8 Must-See Artworks at the Aspen Art Fair
Galerie Magazine
Jul 26, 2024
Jul 26, 2024
Unearthing the Roots of Colonialism: A Review of Noé Martínez at Patron Gallery
Newcity Art
Jul 23, 2024
Jul 23, 2024
Picturing Abortion: A Conversation With Carmen Winant
Whitney Museum of American Art
Jul 19, 2024
Jul 19, 2024
Artist Noé Martínez questions and heals part of the country’s colonial and slavery history
La Jornada de Oriente
Jul 17, 2024
Jul 17, 2024
Carmen Winant’s Powerful Homage to Abortion Care Workers
aperture
Jul 11, 2024
Jul 11, 2024
Who’s Showing in Frieze London’s Artist-to-Artist Section?
Ocula
Jun 27, 2024
Jun 27, 2024
Explore ‘A Place For Us’ exhibition at Hotel Jerome, opening on Tuesday
The Aspen Times
Jun 23, 2024
Jun 23, 2024
Solemn Promise: A Review of “The Mask of Prosperity” at Gallery 400
Newcity Art
Jun 4, 2024
Jun 4, 2024
Cerebral Women: A Conversation with Emanuel Aguilar
Cerebral Women
May 29, 2024
May 29, 2024
Photography’s Past and Present at the Getty Center
The Wall Street Journal
May 29, 2024
May 29, 2024
Carmen Winant - On Art & Groundwork
The Messy Truth - Conversations on Photography
May 13, 2024
May 13, 2024
The Black Female Artists Redefining Minimalism
The New York Times Style Magazine
May 10, 2024
May 10, 2024
Abstract Sculptures and Vintage Finds Stand Out at Frieze New York
Artnet News
May 3, 2024
May 3, 2024
7 Art World Luminaries Share Top Picks from Frieze New York
Galerie Magazine
May 3, 2024
May 3, 2024
Frieze New York 2024 Review: An Expanding Universe
Wall Street Journal
May 2, 2024
May 2, 2024
Cecilia Alemani on her top picks from Frieze New York
The Art Newspaper
May 1, 2024
May 1, 2024
Frieze New York doubles down on local galleries and artists for latest edition
The Art Newspaper
Apr 30, 2024
Apr 30, 2024
Artist Charisse Pearlina Weston: ‘This is a kind of violence that’s been naturalised, but it’s not natural’
Financial Times
Apr 26, 2024
Apr 26, 2024
The Art We’re Obsessed With in April 2024
Artsy
Apr 26, 2024
Apr 26, 2024
UTA Artist Space brings human touch to the fore
ARTS ATL
Apr 24, 2024
Apr 24, 2024
Resilient Currents, on communal re-existence. Comisionada por Thanks for Nothing
ArtNexus
Apr 19, 2024
Apr 19, 2024
5 Must-See Gallery Shows in Chicago
Artnet News
Apr 15, 2024
Apr 15, 2024
Expo Chicago 2024—In Praise of the Small: A Review of Barely Fair at Color Club
New City
Apr 14, 2024
Apr 14, 2024
MoAD Opens Two New Exhibitions Featuring Renowned International Artists
Secret San Francisco
Apr 14, 2024
Apr 14, 2024
Peer inside this tiny art fair, where major artists present at miniature scale
CNN Style
Apr 12, 2024
Apr 12, 2024
Not all is quiet on the American-art front
4Columns
Apr 5, 2024
Apr 5, 2024
Whitney Biennial 2024: Even Better Than the Real Thing
The Brooklyn Rail
Apr 4, 2024
Apr 4, 2024
81st Whitney Biennial, “Even Better Than the Real Thing”
e-flux
Mar 30, 2024
Mar 30, 2024
SETI AIR Newsletter - March 2024
SETI Institute
Mar 27, 2024
Mar 27, 2024
The 2024 Whitney Biennial in five key themes
The Art Newspaper
Mar 21, 2024
Mar 21, 2024
Noé Martínez explores Indigenous ancestry and trauma of colonialism in ‘The Body Remembers’
The Bay State Banner
Mar 20, 2024
Mar 20, 2024
Ancestral suffering, present victories: Noé Martínez’s ‘The Body Remembers.’
The Justice
Mar 19, 2024
Mar 19, 2024
The Atmosphere that Holds Us: An interview with Brittany Nelson on I can’t make you love me
Sixty Inches From Center
Mar 15, 2024
Mar 15, 2024
First Impressions From the 2024 Whitney Biennial
Hyperallergic
Mar 14, 2024
Mar 14, 2024
Was the Vision for the 2024 Whitney Biennial ‘Better Than the Real Thing’?
Cultured
Mar 13, 2024
Mar 13, 2024
A Blazing, Brilliant Whitney Biennial Heralds a New Kind of Body Art
ARTNews
Mar 13, 2024
Mar 13, 2024
Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024?
The New York Times
Mar 13, 2024
Mar 13, 2024
Obscuring and Revealing: Janet Dees and Bethany Collins in Conversation at Auburn Forum for Southern Art and Culture
Stories From The Block
Feb 13, 2024
Feb 13, 2024
Caroline Kent: Casey Kaplan
Artforum
Feb 1, 2024
Feb 1, 2024
Arco Art Fair Madrid: Resilience Amid Global Turmoil, Showcasing Global Talent
BNN Breaking
Mar 6, 2024
Mar 6, 2024
Love, Fiction and Deep Space: A Review of Brittany Nelson at Patron
Newcity Art
Feb 27, 2024
Feb 27, 2024
AMULETOS, MAKERS, AND VOICES Part I
Sixty Inches From Center
Feb 20, 2024
Feb 20, 2024
Hans Kaiser in artistic dialogue with Liat Yossifor
Soest
Feb 8, 2024
Feb 8, 2024
Thirteen Exhibitions to Catch This Winter
Boston art review
Feb 6, 2024
Feb 6, 2024
Whitney Biennial Picks a ‘Dissonant Chorus’ of Artists to Probe Turbulent Times
The New York Times
Jan 25, 2024
Jan 25, 2024
14 art exhibits to explore this winter
WBUR
Jan 11, 2024
Jan 11, 2024