Bearing Witness to the Work of Kaveri Raina
Elephant
Sep 21, 2023
Sep 21, 2023
Can Images Desensationalise Abortion?
ArtReview
Sep 20, 2023
Sep 20, 2023
Art 50 2023: Chicago’s Artists’ Artists
Newcity Art
Sep 5, 2023
Sep 5, 2023
The Wistful Edge of Silence: Kaveri Raina
office
Sep 5, 2023
Sep 5, 2023
Letters Apart
The Art Section
Sep 1, 2023
Sep 1, 2023
What to See in N.Y.C. Galleries in August and Early September
The New York Times
Aug 30, 2023
Aug 30, 2023
CONTEXT | Alex Chitty
PATRON
Aug 17, 2023
Aug 17, 2023
Black Women In Art And Black Writing In Art On View At Kansas Museums
Forbes
Aug 15, 2023
Aug 15, 2023
Capturing the ‘spectacularly unspectacular’ reality of abortions and reproductive health facilities
The Art Newspaper
Aug 11, 2023
Aug 11, 2023
Artist Carmen Winant on Building a New Visual Language Around Abortion
VanityFair
Aug 8, 2023
Aug 8, 2023
14th Gwangju Biennale review: a stage for new voices and ancient ideas
Wallpaper
Apr 12, 2023
Apr 12, 2023
Susie Barstow’s life was a grand adventure but her art was erased
The Washington Post
Jul 24, 2023
Jul 24, 2023
10 Art Shows to See in Chicago This Summer
Hyperallergic
Jul 17, 2023
Jul 17, 2023
What to See at New York’s 2023 Upstate Art Weekend
Hyperallergic
Jul 13, 2023
Jul 13, 2023
Reframing the relationship between humanity and nature
Chicago Reader
Jun 26, 2023
Jun 26, 2023
Virtual Horizons: Gwangju
Hyundai Artlab
Jun 23, 2023
Jun 23, 2023
Review: Mika Horibuchi’s Showcase at Patron Gallery
Sixty Inches From Center
Jun 23, 2023
Jun 23, 2023
Twilight Transcendence: A Review of Lucas Simões “Luscofusco” at Patron Gallery
Newcity Art
Jun 22, 2023
Jun 22, 2023
For L.A.’s newest underground art experience, head down to the Metro Regional Connector
Los Angeles Times
Jun 17, 2023
Jun 17, 2023
Photography by Evelyn Hofer, sculptures by Simone Leigh, and more are among this summer’s must-see exhibitions
The Architect’s Newspaper
May 15, 2023
May 15, 2023
Samuel Levi Jones
4Columns
Jun 16, 2023
Jun 16, 2023
14ª BIENAL DE GWANGJU: SUAVE Y DÉBIL COMO EL AGUA
Artishock
Jun 7, 2023
Jun 7, 2023
Francesca Wilmott on “Drum Listens to Heart”
Artforum
Jun 1, 2023
Jun 1, 2023
PREVIEW: Dianna Frid, “pre-knowing / un-knowing” at Patron Gallery
Bridge Journal
May 29, 2023
May 29, 2023
NOÉ MARTÍNEZ: MEMORIA DEL CUERPO
La Tempestad
May 18, 2023
May 18, 2023
An artistic life
Chicago Reader
May 3, 2023
May 3, 2023
The Best Shows to See in Chicago Right Now
Frieze
Apr 13, 2023
Apr 13, 2023
Announcing the 2023 Chicago Artadia Awardees
Artadia
Apr 11, 2023
Apr 11, 2023
Waterworks Expands Best-Selling Collection, Peter Pennoyer Architects Launches New Division, and More News
Architectural Digest
Apr 3, 2023
Apr 3, 2023
Bad at Sports Episode 834: Harold Mendez
Bad at Sports
Mar 21, 2023
Mar 21, 2023
Beyond the Limits of Representation: A Deconstructed Narrative of the War in Syria
Prospect Art
Mar 15, 2023
Mar 15, 2023
Memory as Devotion
Reader
Mar 13, 2023
Mar 13, 2023
Excavated Images: A Review of “Life Against Itself” at Patron
Newcity Art
Mar 3, 2023
Mar 3, 2023
The Breakout Artists That Stole the Show at Frieze LA
Cultured
Feb 20, 2023
Feb 20, 2023
The 10 Best Booths at Frieze Los Angeles 2023
Artsy
Feb 17, 2023
Feb 17, 2023
Why Two Los Angeles Collectors Don’t Rank Their Visitors or Artworks
Frieze
Feb 10, 2023
Feb 10, 2023
7 Artists Making Waves in Frieze LA’s Focus Section
Cultured
Feb 17, 2023
Feb 17, 2023
Kaveri Raina, Chapter NY
Artforum
Feb 1, 2023
Feb 1, 2023
Alex Chitty
Visual Art Source
Jan 14, 2023
Jan 14, 2023
Open Structure
Gallerieswest
Jan 12, 2023
Jan 12, 2023
Camera Austria International ISSU.160
Camera Austria International.
Jan 10, 2023
Jan 10, 2023
